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ALTEA MEDIA / I LOVE TV
France
Приєднався 1 січ 2007
ALTEA MEDIA LIMITED is a global cultural broadcasting platform, based in London, broadcasting in Ultra High Definition (4K/UHD) streaming more than 1000 hours of programs produced to date, around thematic genres:
• Classical music
• Jazz and World music
• Drama and associated arts
• Documentary, and short/medium/feature fiction films
ALTEA MEDIA LIMITED has created a French branch for executive production and audiovisual services, I LOVE TV, based in Paris.
• Classical music
• Jazz and World music
• Drama and associated arts
• Documentary, and short/medium/feature fiction films
ALTEA MEDIA LIMITED has created a French branch for executive production and audiovisual services, I LOVE TV, based in Paris.
Scene Madre* / Ambra Senatore
Scene Madre*
Choreography: Ambra Senatore
Music: Jonathan Seilman
Sound: Jonathan Seilman and Ambra Senatore
Light: Fausto Bonvini
Costumes: Louise Hochet
Outside view: Caterina Basso, Claudia Catarzi, Giuseppe Molino, Barbara Schlittler
With Matteo Ceccarelli, Lee Davern, Elisa Ferrari, Nordine Hamimouch, Laureline Richard, Antoine Roux-Briffaud, Ambra Senatore
Suites of scenes from life. Successions of everyday and unusual things. On an almost empty set, a street appears, then a shipwreck, then a company cafeteria or even... What link unites these fragments? What connections will we find between these situations? Italian choreographer Ambra Senatore cultivates surprise and talks to us about the discrepancies and humor that take precedence over reality but also about the movement that becomes poetic when language struggles to say. If it is difficult to say when an action begins and when a scene ends, it is because choreographic writing seeks fluidity and passage. Strata of meaning, layers of dialogue and accumulations of gestures are superimposed to end with a burst. It is a succession of excesses and silences which all arise from the same matrix: the mother scene. Written “like a rebus or even an intrigue”, this piece is fundamental in the weaving of inextricable links between beings and situations. Scena madre* is above all the first moment of beginnings where the beginnings may seem identical but from which one must emerge, from which one must choose, from which one must test in order to escape. You might as well open wide to project yourself better...
Choreography: Ambra Senatore
Music: Jonathan Seilman
Sound: Jonathan Seilman and Ambra Senatore
Light: Fausto Bonvini
Costumes: Louise Hochet
Outside view: Caterina Basso, Claudia Catarzi, Giuseppe Molino, Barbara Schlittler
With Matteo Ceccarelli, Lee Davern, Elisa Ferrari, Nordine Hamimouch, Laureline Richard, Antoine Roux-Briffaud, Ambra Senatore
Suites of scenes from life. Successions of everyday and unusual things. On an almost empty set, a street appears, then a shipwreck, then a company cafeteria or even... What link unites these fragments? What connections will we find between these situations? Italian choreographer Ambra Senatore cultivates surprise and talks to us about the discrepancies and humor that take precedence over reality but also about the movement that becomes poetic when language struggles to say. If it is difficult to say when an action begins and when a scene ends, it is because choreographic writing seeks fluidity and passage. Strata of meaning, layers of dialogue and accumulations of gestures are superimposed to end with a burst. It is a succession of excesses and silences which all arise from the same matrix: the mother scene. Written “like a rebus or even an intrigue”, this piece is fundamental in the weaving of inextricable links between beings and situations. Scena madre* is above all the first moment of beginnings where the beginnings may seem identical but from which one must emerge, from which one must choose, from which one must test in order to escape. You might as well open wide to project yourself better...
Переглядів: 181
Відео
Processions / Tenebrae Choir
Переглядів 190День тому
Allegri: Miserere Joby Talbot (1971): Path of Miracles Tenebrae Choir Nigel Short, artistic director and choir director The most famous English early music choir takes us on a timeless journey inspired by the British composer Joby Talbot by the pilgrimage to Compostela. From “Roncesvalles” to “Santiago”, processions, contemplations and true miracles of sound in the Basilica. The Miserere compos...
Jocelyne Béroard @ Terre de Blues Festival
Переглядів 114День тому
Jocelyne Béroard in concert at the Terre de Blues Festival in Marie-Galante. A Caribbean singer who no longer needs to be introduced, she is the singer of the group Kassav which is celebrating its 40th anniversary in 2019. For more than 35 years, without abandoning her solo career, she has enchanted millions of spectators all over the world. . She rocks the planet with zouk and has sold million...
Ky-Mani Marley @ Terre de Blues Festival
Переглядів 48День тому
The son of Bob Marley and table tennis champion Anita Belnavis quickly chose to follow in his father's footsteps, without hiding his taste for hip hop and r'n'b.
Mélissa Laveaux @ Terre de Blues Festival
Переглядів 52День тому
Mélissa Laveaux at the Terre de Blues Festival in Marie-Galante. Born in Ottawa, to Haitian immigrant parents, Mélissa Laveaux is a singer-songwriter and musician on the emerging international scene. She composes and sings in three languages: English, French and Haitian Creole. His music is tinged with Haitian influences, blues and folk. A discovery event not to be missed!
Oumou Sangaré @ Terre de Blues
Переглядів 134День тому
Oumou Sangaré in concert at the Terre de Blues Festival in Marie-Galante. She is one of the greatest African singers. Recently nominated for the Victoires de la Musique, her records are among the most decisive of the genre. She combines a career as a business manager and her artistic career. A humble woman, the Malian diva constantly works to improve the daily lives of her people.
Bach Toccata & Fugue in D minor / Bruckner Symphony no. 2
Переглядів 558День тому
Johann Sebastian Bach: Toccata & Fugue in D minor BWV565 Martin Haselböck: Improvisation on Anton Bruckner's Symphony no.2 Anton Bruckner: Symphony no.2 in C minor WAB102 (1877 version) 1. Allegro 2. Adagio 3. Scherzo 4. Finale Martin Haselböck, organ Munich Philharmonic Orchestra Valery Gergiev, conductor Please note that net revenues of this film will be sent to help Ukraine !
Valery Gergiev conducts Mozart and Bruckner
Переглядів 506День тому
Wolfgang Amadeus Mozart: Symphony no. 40 in G minor, KV. 550 1. Molto allegro 2. Andante 3. Menuetto. Trio 4. Allegro assai Anton Bruckner: Symphony no. 9 in D minor, WAB 109 1. Feierlich, misterioso 2. Scherzo. Bewegt, lebhaft 3. Adagio. Langsam, feierlich Munich Philharmonic Orchestra Valery Gergiev, conductor Please note that net revenues of this film will be sent to help Ukraine !
Anton Bruckner: Symphony No. 8 in C minor WAB 108
Переглядів 789День тому
Anton Bruckner (1824-1896): Symphony No. 8 in C minor WAB 108 (1889-90) I. Allegro moderato II. Scherzo. Allegro moderato - Trio. Langsam III. Adagio. Feierlich langsam, doch nicht schleppend IV. Finale. Feierlich, nicht schnell Munich Philharmonic Orchestra Valery Gergiev, conductor Please note that all net revenues of this film will be sent to help Ukraine !
Giacomo Puccini: Manon Lescaut
Переглядів 1,4 тис.14 днів тому
Giacomo Puccini: Manon Lescaut Lyrical drama in four acts by Giacomo Puccini composed between summer 1889 and October 1892 on a libretto by Luigi Illica, Giuseppe Giacosa and Marco Praga, based on The History of the Chevalier des Grieux and Manon Lescaut (1731) by Abbé Prévost, from a sketch by Ruggero Leoncavallo and with a complement by Domenico Oliva, premiered on February 1, 1893 at the Tea...
Iván Fischer conducts Béla Bartók
Переглядів 1 тис.14 днів тому
Béla Bartók: The Marvelous Mandarin Op. 19, Sz 73 Béla Bartók: The Wooden Prince, op. 13, Sz. 60 Krisztián Gergye Company Krisztián Gergye, choreography Budapest Festival Orchestra Iván Fischer, conductor
Ararat / Canticum Novum
Переглядів 47814 днів тому
Ararat, the sacred mountain of Armenia, takes you without detours to the borders of Europe and the Middle East. Twelve musicians and singers, of Armenian, Turkish, Kurdish, Afghan, Algerian and French origins, brilliantly revive intercultural dialogue. A mixture of Caucasian, Persian and Turkish influences, the traditional sounds of the nyckelharpa, kanun, kamensheh and duduk reveal real melodi...
Claude Debussy: Pelléas et Mélisande
Переглядів 1,3 тис.14 днів тому
Claude Debussy: Pelléas et Mélisande Lyrical drama in five acts based on the play by Maurice Maeterlinck Benjamin Lazar: direction Pelléas: Marc Mauillon Mélisande: Jenny Daviet Geneviève: Emma Lyrén Golaud: Laurent Alvaro Yniold: Julie Mathevet Arkel: Stephen Bronk A doctor: Stefano Olcese Malmö Opera Choir and Orchestra Maxime Pascal, conductor
Giaccomo Meyerbeer: Dinorah or Le Pardon de Ploërmel
Переглядів 4,6 тис.14 днів тому
Giaccomo Meyerbeer (1791-1864): Dinorah or Le Pardon de Ploërmel opera in 3 acts on a libretto by Jules Barbier & Michel Carré. Premiered on 4th April 1859 at the Paris Opéra Comique. Complete version including added recitatives and arias. Isabelle Philippe, Dinorah Armand Arapian, Hoël Frédéric Mazzotta, Corentin Lucile Vignon, a shepherd Céline Victores-Benavente, a goatherd Séverine Delforge...
Dmitri Shostakovich / Symphony no. 12
Переглядів 28814 днів тому
Dmitri Shostakovich / Symphony no. 12
Elisabeth Leonskaja & Orchestre National du Capitole de Toulouse
Переглядів 5 тис.21 день тому
Elisabeth Leonskaja & Orchestre National du Capitole de Toulouse
Dmitri Shostakovich (1906-1975): Symphony No. 4 in C minor op. 43
Переглядів 42021 день тому
Dmitri Shostakovich (1906-1975): Symphony No. 4 in C minor op. 43
Valery Gergiev conducts Schubert & Bruckner
Переглядів 3,1 тис.28 днів тому
Valery Gergiev conducts Schubert & Bruckner
“Embrase-moi” by Kaori Ito & Théo Thouvet
Переглядів 26228 днів тому
“Embrase-moi” by Kaori Ito & Théo Thouvet
В.Г. имеет возможность использовать оркестры Высшей категории и интерпретировать репертуарные программы ,сделанные другими дирижёрами, практически не нуждаясь в репетициях . Струнная группа играет в ансамбле , слушая друг друга и не отвлекаясь на посторонние раздражители. Духовые сами знают , как лучше, если им не мешать. Если убрать звук и смотреть только картинку с дирижёром ,становится ясно, что это дирижирование под интерпретацию произведения оркестром , а не дирижёром
Великолепная запись триумфального выступления, позволяющая возвращаться многократно к шедеврам мирового музыкального искусства. Благодарю.
Это странно и потрясно, но в Большом театре 20, 23 июня все было на порядок ЛУЧШЕ!!!! Конец света какой-то! (Шагимуратова+ Матвеев/Сон Чи Хун + Чернядьев +Сулимский +Молчанов)
Волшебство началось! Даниил Олегович , фортепиано, оркестр и Великая Музыка!
❤
trumpresident24 magamerica.united medealgore.vice24. wagfulking
Thank you man .... the band split ways years ago ...this is a classic ❤
Thanks Trio Beautiful.
Thank you for posting of this amazing presentation. So, let me add the a time-list (with start-times), for better access to the parts. Regards from Greece... 0:00:00 - Iša Krejčí: Serenade for orchestra (Maciej Tworek, conductor) Krzysztof Penderecki - Symphony No.7 "Seven Gates of Jerusalem" 0:21:12 - Intro of scenes 0:22:40 - I. Magnus Dominus et laudabilis nimis 0:34:25 - II. Si oblitus fuero tui, Jerusalem 0:37:10 - III. De profundis 0:43:48 - IV. Si oblitus fuero tui, Jerusalem 0:49:22 - V. Lauda, Jerusalem, Dominum 1:07:45 - VI. Facta est super me manus Domini 1:13:22 - VII. Haec dicit Dominus: Ecce ego do coram vobis viam vitae, et viam mortis 1:26:15 - Exit
In Yiddish, this is called good schmaltz!
Thank you for posting ❤
One of the greatest hard cookers of all time.
No wonder she won't talk to me
Mükemmel müzik gurubun uyumu muhteşem dinlerken alip götürüyor başka diyarlara❤❤❤❤
It won't play
WTF. Legion of free speech
Y is this not simply playing in the Occident
👎👎👎👎👎👎
First saw Monty in Aspen when we were both in our 20s
Superb
Delightful. This is the most relaxing video I have ever seen.
What a beautiful Lady !!!!!
❤❤❤jaann
Meravigliosa Mariella ❤👏🏻
Mais quel groupe fantastique, un groupe francais qui se démarque par son originalité aussi boen vocale que musicale. Un délice!
28:56
Mise en scène affligeante, pauvre Rameau….
Nobody needs drugs with music like that.
Just stumbled upon Omar & I am truly amazed. He's a musical genius! I love his free spirit & willing to work with exceptional musicians & so many different genres. Can't wait for an opportunity to hear him in person. Bravo!!!
formidable !
Thank you for this wonderful performance. 🌸🌹🥀🌺🌷
How boring is this? This iß the soundtrack to Hell. All th8s is ripped off from progressive English folk m7ßic btw! And she can't even sing. Ooooh a bit of out of tune and time Gentle Giant there!
Incredible!
I hope to be able to revisit the recording of Bruckner's first symphony with Gergiev soon. Sorry for my english.
Marc and Ann are such a good pair. Amazing parents, creators, and teachers. Marc and Ann's books are excellent. They're keeping the culture going in SO many ways AND they rock! Never seen Marc sing. Loved it!
Only one word,FANTASTIC. THANK YOU.❤
Bravo!!!
tHANKS :)
I want to hear him play Ziryab again again
Is he high on something?
saludos desde mexico. I came for brian blade. amazing style
Out of this world Scriabin. Simply stunning.
🙏
Genial. One of the most gorgeous performance of this great masterpiece I've ever heard. Bravo Gergiev, Bravo Munich Phil. and Bravo the film producer 👏👏👏
A strangely static performance, and rather too slow for my liking as well. For instance, at the end of the suicide scene in the 3rd act, Churilova (Lisa) just stands there, taking away all the impact of the most dramatic moment of the opera. Aksenov is not a bad singer and has the right age for Herman, but he simply lacks the on-stage presence to portray him convincingly. Contrast his lightning scene (Act I No. 6, "Se non é vero") to Marusin's maniacally psychotic performance in the 1992 Glyndebourne to get what I mean. Video registration is also weird, with lots of close-ups and not nearly enough wide shots, presumably to obfuscate the lack of movement on-stage. In all, a thorough thumbs down from me; Gergiev apparently doesn't get better in isolation.
Who wrote that charming cadenza of Mozart, where the piano was accompanied by wind instruments with fragments from Mozart's wind serenade? It impressed me so much
Love their music
Korean tenor Mr Lee .?
Opus 70, not 78
Che roba ! Fantastico 🤗🤗🍷🍷